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Pointed nibs

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George W. Hughes, No. 5, First Class Railway Pen

Antike Kalligraphie Spitzfeder, Geo. W. Hughes, No. 5, First Class Railway Pen

Fine stroke, hardly flexible. This nib is silver plated.

Feiner Strich, kaum elastisch. Diese Feder ist versilbert.

Macniven & Cameron, No. 467 EF

Antike Kalligraphie Spitzfeder, Macniven & Cameron, No. 467 EF

Very fine stroke, very high flexibility.

Sehr feiner Strich, sehr hohe Elastizität.

Macniven & Cameron, No. 501

Antike Kalligraphie Spitzfeder, Macniven & Cameron, No. 501

Very fine stroke, hardly flexible.

Sehr feiner Strich, kaum elastisch.

John Mitchell, No. 193, Duplicator

Antike Kalligraphie Spitzfeder, John Mitchell, No. 193, Duplicator, Durchschreibfeder

Medium stroke, not flexible. Designed for making carbon copies. Therefore very resilient to pressure. Also good for normal writing.

Mittlere Strichstärke, nicht elastisch. Gedacht zum "Durchschreiben" (kopieren mit Pausspapier), aber auch zum normalen Schreiben gut geeignet. Äußerst belastbar!

Blanzy Poure & Cie, No. 631 EF, Alpha

Antike Kalligraphie Spitzfeder, Blanzy Poure & Cie, No. 631 EF, Alpha

Very fine stroke, little flexibility.

Sehr feiner Strich, geringe Elastizität.

L'Étoile, F

Antike Kalligraphie Spitzfeder, L'Étoile, F

Fine stroke, hardly flexible. This nib is silver plated.

Feiner Strich, kaum elastisch. Diese Feder ist versilbert.

Joseph Gillott, No. 725 EF, Universal C

Antike Kalligraphie Spitzfeder, Joseph Gillott, No. 725 EF, Universal C

Very fine stroke, high flexibility. This nib is gold plated.

Sehr feiner Strich, hohe Elastizität. Diese Feder ist vergoldet.

Antike Schreibfederschachtel, Joseph Gillott, No. 725 EF, Universal C

Antike Schreibfederschachtel, Joseph Gillott, No. 725 EF, Universal C, Rückseite

Macniven & Cameron, No. 320 EF

Antike Kalligraphie Spitzfeder, Macniven & Cameron, No. 320 EF

Very fine stroke, medium flexibility.

Sehr feiner Strich, mittlere Elastizität.

A. Sommerville & Co, Henry F, Sceleton Pen

Antike Kalligraphie Spitzfeder, A. Sommerville & Co, Henry F, Sceleton Pen

Fine stroke, medium flexibility.

Feiner Strich, mittlere Elastizität.

Antike Schreibfederschachtel, A. Sommerville & Co, Henry F, Sceleton Pen

Antike Schreibfederschachtel, A. Sommerville & Co, Henry F, Sceleton Pen, Rückseite

C. Brandauer & Co, No. 3B

Antike Kalligraphie Spitzfeder, C. Brandauer & Co, No. 3B

Very broad stroke, little flexibility.

Sehr kräftiger Strich, geringe Elastizität.

Antike Schreibfederschachtel, C. Brandauer & Co, No. 3B

E. W. Leo, No. 111

Antike Kalligraphie Spitzfeder, E. W. Leo, No. 111 EF — EF

Very fine stroke, high flexibility.

Sehr feiner Strich, hohe Elastizität.

Antike Kalligraphie Spitzfeder, E. W. Leo, No. 111 F — F

Fine Stroke, high flexibility.

Feiner Strich, hohe Elastizität.

S. Roeder, Original Bremer Börsenfeder EF, Börsenzack

Antike Kalligraphie Spitzfeder, S. Roeder, Original Bremer Börsenfeder EF, Börsenzack

Very fine stroke, high flexibility.

Sehr feiner Strich, hohe Elastizität.

F. Soennecken, No. 12 EF

Antike Kalligraphie Spitzfeder, F. Soennecken, No. 12 EF

Very fine stroke, medium flexibility.

Sehr feiner Strich, mittlere Elastizität.

Hinks, Wells & Co, No. 1768 F, Bremer Börsen Feder

Antike Kalligraphie Spitzfeder, Hinks, Wells & Co, No. 1768 F, Bremer Börsen Feder

Fine stroke, little flexibility.

Feiner Strich, geringe Elastizität.

Jousset, Plume Administrative

Antike Kalligraphie Spitzfeder, Jousset, Plume Administrative F — F

Fine stroke, little flexibility.

Feiner Strich, geringe Elastizität.

Antike Kalligraphie Spitzfeder, Jousset, Plume Administrative M — M

Medium stroke, medium flexibility.

Mittlere Strichstärke, mittlere Elastizität.

Antike Schreibfederschachtel, Jousset, Plume Administrative F

Perry & Co, J. Alexandre, Plume Rossini, M

Antike Kalligraphie Spitzfeder, Perry & Co, J. Alexandre, Plume Rossini, M

Medium stroke, medium flexibility.

Mittlere Strichstärke, mittlere Elastizität.

Antike Schreibfederschachtel, Perry & Co, J. Alexandre, Plume Rossini, M

Antike Schreibfederschachtel, Perry & Co, J. Alexandre, Plume Rossini, M, Rückseite

Macniven & Cameron Ltd., G-Pen

Antike Kalligraphie Spitzfeder, Macniven & Cameron Ltd., G-Pen

Fine stroke, medium flexibility.

Feiner Strich, mittlere Elastizität.

Blanzy Poure & Cie, No. 741, La Boulonnaise

Antike Kalligraphie Spitzfeder, Blanzy Poure & Cie, No. 741 EF, La Boulonnaise

Very fine stroke, little flexibility.

Sehr feiner Strich, geringe Elastizität.

Antike Schreibfederschachtel, Blanzy Poure & Cie, No. 741 EF, La Boulonnaise

A. Sommerville & Co, No. 327 EF, Humboldt School Pen

Antike Kalligraphie Spitzfeder, A. Sommerville & Co, No. 327 EF, Humboldt School Pen

Very fine stroke, high flexibility.

Sehr feiner Strich, hohe Elastizität.

Antike Schreibfederschachtel, A. Sommerville & Co, No. 327 EF, Humboldt School Pen

John Mitchell, No. 0169 M

Antike Kalligraphie Spitzfeder, John Mitchell, No. 0169 M, vergoldet

Medium stroke, medium flexibility. This nib is gold plated.

Mittlere Strichstärke, mittlere Elastizität. Diese Feder ist vergoldet.

Antike Schreibfederschachtel, John Mitchell, No. 0169 M

Antike Schreibfederschachtel, John Mitchell, No. 0169 M, Rückseite

E. W. Leo, No. 331 EF, Apostelfeder

Antike Kalligraphie Spitzfeder, E. W. Leo, No. 331 EF, Apostelfeder

Very fine stroke, medium flexibility.

Sehr feiner Strich, mittlere Elalstizität.

Baignol & Farjon, No. 565 EF, Officielle

Antike Kalligraphie Spitzfeder, Baignol & Farjon, No. 565 EF, Officielle, Typ 1 — Typ 1

Very fine stroke, high flexibility.

Sehr feiner Strich, hohe Elastizität.

Antike Kalligraphie Spitzfeder, Baignol & Farjon, No. 565 EF, Officielle, Typ 2 — Typ 2

Very fine stroke, medium flexibility.

Sehr feiner Strich, mittlere Elastizität.

Antike Schreibfederschachtel, Baignol & Farjon, No. 565 EF, Officielle, Typ 2

Walter B. Bogue Pen Co., No. 11, Bank Pen

Antike Kalligraphie Spitzfeder, Walter B. Bogue Pen Co., No. 11, Bank Pen

Fine stroke, hardly flexible. This nib is silver plated.

Feiner Strich, kaum elastisch. Diese Feder ist versilbert.

Antike Schreibfederschachtel, Walter B. Bogue Pen Co., No. 11, Bank Pen

Antike Schreibfederschachtel, Walter B. Bogue Pen Co., No. 11, Bank Pen, Rückseite

J. B. Mallat, No. 21 EF, Plume Classique

Antike Kalligraphie Spitzfeder, J. B. Mallat, No. 21 EF, Plume Classique

Very fine stroke, medium flexibility.

Sehr feiner Strich, mittlere Elastizität.

Antike Schachtel mit Kalligraphie Spitzfedern, J. B. Mallat, No. 21 EF, Plume Classique

J. B. Mallat, No. 3, Maillechort

Antike Kalligraphie Spitzfeder, J. B. Mallat, No. 3, Maillechort

Very fine stroke, hardly flexible.

Sehr feiner Strich, kaum elastisch.

J. B. Mallat, No. 17 EF, Plume Classique

Antike Kalligraphie Spitzfeder, J. B. Mallat, No. 17 EF, Plume Classique

Very fine stroke, medium flexibility.

Sehr feiner Strich, mittlere Elastizität.

Antike Schachtel mit Kalligraphie Spitzfedern, J. B. Mallat, No. 17 EF, Plume Classique

Brause & Co, No. 12 EF, Leona

Antike Kalligraphie Spitzfeder, Brause & Co, No. 12 EF, Leona

Very fine stroke, little flexibility.

Sehr feiner Strich, geringe Elastizität.

Antike Schachtel mit Kalligraphie Spitzfedern, Brause & Co, No. 12 EF, Leona

Hinks, Wells & Co, No. 1367 EF, Hooper Double Cement Pen

Antike Kalligraphie Spitzfeder, Hinks, Wells & Co, No. 1367 EF, Hooper Double Cement Pen

Very fine stroke, little flexibility.

Sehr feiner Strich, geringe Elastizität.

Antike Schachtel mit Kalligraphie Spitzfedern, Hinks, Wells & Co, No. 1367 EF, Hooper Double Cement Pen

Blanzy-Poure & Cie, No. 736, Plume Monopole

Antike Kalligraphie Spitzfeder, Blanzy-Poure & Cie, No. 736 F, Plume Monopole — F

Fine stroke, high flexibility.

Feiner Strich, hohe Elastizität.

Antike Kalligraphie Spitzfeder, Blanzy-Poure & Cie, No. 737 M, Plume Monopole — M

Medium stroke, medium flexibility.

Mittlere Strichstärke, mittlere Elastizität.

Antike Schachtel mit Kalligraphie Spitzfedern, Blanzy-Poure & Cie, No. 736 F, Plume Monopole

Diverse Schreibfedern 2

Pages

Info

The many pointed nibs are differentiated (apart from by their shape) by their flexibility and the fineness of their nib tip.

A pointed nib usually produces a slightly finer stroke than a ball point nib. However, more skill is required for its use.

When the nib is pulled pressure can be applied to adjust the thickness of the stroke. The more flexible the nib, the greater the range of thickness. But more flexibility also enlarge the nib's sensitivity to wrongly applied pressure; that is to say, when the nib is pushed under pressure.

Ornament drawn with a flexible and pointed nib.

See this Video about the use of flexible and pointed nibs:

To describe the flexibility of the nibs, I use the following terms:

Extremely flexible
Very high flexibility
High flexibility
Medium flexibility
Little flexibility
Hardly flexible
Not flexible